PROVOKE (1965) depicts a confrontation between three totems. Well-established in the canons of Southeast Asian modern painting and Malay literature, the artist was dubbed ‘boy-wonder’ after his first solo exhibition at the age of ten. Latiff Mohidin’s Pago Pago series was hailed as unique and exemplary the moment it appeared in public. All lot Performance Against Estimates 2019 +0.22%. ‘Some say Pago Pago froze in America,’ he writes. Her plays have been presented in Singapore and London by Teater Ekamatra, The Necessary Stage and Bhumi Collective. The most important decision at the Centre Pompidou might have been the placement of Latiff Mohidin’s work on the same floor as the museum’s permanent collection (the exhibition was the first by a Southeast Asian artist in … There he was exposed to art movements like Cubism and Futurism, which imprinted on his paintings a bold, flat and graphic style. But as with most art, while external events may shape the output, an inner logic is probably also at work. Title: Pagodas II, Pago-Pago Series; Creator: Latiff Mohidin; Date: 1964; Physical Dimensions: w99.2 x h99.4 cm; Type: Oil on canvas; Get the app . Pago Pago (1960-1969) est conçue comme une micro-histoire qui replace l’un des principaux modernistes d’Asie du Sud-Est dans un dialogue avec ses pairs occidentaux. Pengkarya : Abdul Latiff Mohidin Tajuk : Pago Pago Tahun : 1964 Media : Cat Minyak... Tema : Gambaran alam metafora Gaya : Pelukis melukis dengan gaya ekspresionis bentuk- bentuk organik 'biomifik'.Bentuk - bentuk ini sukar ditafsirkan The form, which consists of familiar triangles that has been inverted and combined with one … Pengkarya : Abdul Latiff Mohidin Tajuk : Pago Pago Tahun : 1964 Media : Cat Minyak... Tema : Gambaran alam metafora Gaya : Pelukis melukis dengan gaya ekspresionis bentuk- bentuk organik 'biomifik'.Bentuk - bentuk ini sukar ditafsirkan Nilai: Satu gambaran catan yang merakamkan kehidupan di sekitar Indo-China Koleksi Balai Seni Lukis Negara . Auction Closed . It positions Pago Pago as a Southeast Asian brand of modernism, described by the curators as ‘a way of thinking and working that sought to challenge the dominance of Western modernism at that time’. Following two successful showings at both the iconic Centre Pompidou in Paris as well as the Ilham Gallery in Kuala Lumpur, travelling exhibition Latiff Mohidin: Pago Pago will finally land a spot back home at the National Gallery Singapore this Mar 27-Sep 27.. Pago-Pago – titre d’une série d’œuvres célèbres – est une formule inventée qui évoque la conscience née de ces voyages. During the late 1960s the totems soften and open up into looser, sinuous forms, such as the arterial tubes intertwining in Two Standing Figures (1968) and the juicy stems crisscrossing in Tropical Growth (1968). Kehidupan awal. To offer an explanation for the use of the term, Latiff remarked "I merely coined the word from an amalgam 'pagoda' and the slang 'pagar' which isn't fence but the wooden beams across old Malay houses. She has a soft spot for the visual and literary arts and can be found at the latest exhibition openings. Berbeza dengan suasana Berlin, Perancis dan Amerika Syarikat, yang terbukti menerusi kualiti karya baik lukisan mahupun puisi. Latiff Mohidin. Siri Pago Pago - Latiff Mohidin KL Lifestyle Art Space. Like many artists from the region, Latiff Mohidin created a series that was moulded through his complex interactions with a multiplicity of cultures. Latiff Mohidin: Pago Pago (1960–1969) features over 70 paintings, drawings, and prints, supplemented with archival documents, and situates him in dialogue with his European peers. Stephanie writes about food and culture. 1 of 5. Abdul Latiff Mohidin or simply Latiff Mohidin (born 1941) is a Malaysian modernist painter, sculptor and poet. The exhibition is enlivened by each segment’s evocative names. The elementary forms of the religious life / introduction by Robert Nisbet. Auction Closed No doubt, the ‘SEA modernism’ angle on Pago Pago is a worthy one, but it is not the only story to be told. … Although the foetal composition of Pago-Pago could be traced back to the artist's work in Berlin … There is a synthesis of cultures that marks Pago Pago as something not entirely Southeast Asian or German, which is contrary to what past critics used to believe. ‘Latiff Mohidin: Pago Pago’ will be open to the public at National Gallery Singapore from 27 March to 27 September 2020. national gallery singapore Southeast Asian art Abdul Latiff Mohidin Latiff Mohidin. Image courtesy of National Gallery Singapore. Lukisan 'Pago-pago' adalah karya Latiff Mohidin yang paling sinonim dengan dirinya sebagai penggiat seni lukisan ekspresionisme. L’exposition présente la période de formation de l’artiste dans les années 1960 pendant lesquelles il voyage en Europe et en Asie du Sud-Est. Latiff Mohidin (né en 1941) est un peintre et poète moderne majeur en Malaisie. Pago-Pago, Bangkok (1), a production of a split between a sketch and a painting of extraordinary vitality and force, exhibits Latiff's urgent and rapid brushstrokes. Latiff lahir di Lenggeng, Negeri Sembilan, Malaysia. All From the series “Pago Pago,” 1960–69. Latiff Mohidin, oil on canvas. “Mohidin evokes the consciousness that emerged through [his travels accross Europe and Southeast Asia] with a phrase: ‘Pago Pago’, a manner of thinking and working that complicated Western modernism through the initiation of dialogues with other avant-garde thinkers in Southeast Asia”, explained Shabbir Hussain Mustafa. Two have hooks and curved blades coming out of them, evoking complicated weaponry and ‘primitive’ art, motifs that could be drawn from his own cultural ancestry or a byproduct of his exposure to Western modernism – which speaks to the cheerful syncretism of his style. 1941, MALAYSIA) ... His early series of paintings, Pago-Pago (1964 - 1969) and Mindscape (1973 - 1974) claimed critical success and added intellectual weight and substance to the painting scene in Malaysia and Southeast Asia. He is generally known for his Pago Pago expressionist paintings produced between 1963 and 1969. Satu gambaran catan yang merakamkankehidupan di sekitar Indo-China Karya ini dianggap istimewa kerana siri tersebut dianggap sebagai lukisan jiwa dan mata hatinya. (2nd ed.). The term Pago Pago came out of a fusion of East and West. View more lots. Latiff Mohidin, Pago Pago II, 1965, oil on canvas, 33 5⁄8 × 22 7⁄8". Malam Merah (Red Night) (1968), which features angry brushstrokes and a central subject being riven against a red background, was allegedly inspired by his experiences travelling through Northern Thailand during the Vietnam War. Kampung I oleh Latiff Mohidin… But I knew something else was emerging.’ The last painting in the show, Untitled (Neo Pago Pago) (1971), can be read as a transition work. One of his driving questions was, ‘How does one advance the mediums of painting, drawing and writing to suit local milieus outside Europe and America?’ A sense of friendly regionalism is also present, given his acquaintances with other Southeast Asian artists. ‘Latiff Mohidin: Pago Pago’ will be open to the public at National Gallery Singapore from 27 March to 27 September 2020. national gallery singapore Southeast Asian art Abdul Latiff Mohidin Latiff Mohidin. 2012-2013 |Pameran 60 Tahun Latiff Mohidin Retrospective Exhibition, National Art Gallery, Kuala Lumpur. Blue Landscape, 1996 Sale Date: May 29, 2016. It was composed after he saw Bavarian farmers ploughing with tractors and he speaks of a real sense of tension that exists between people of different cultures. Latiff Mohidin. That bet is now paying off: one of Malaysia’s leading modernists, Latiff Mohidin, is the subject of the Centre Pompidou’s first exhibition about Southeast Asian art held at its In-Focus Gallery. Pago-Pago – titre d’une série d’œuvres célèbres – est une formule inventée qui évoque la conscience née de ces voyages. For more information, visit https://www.nationalgallery.sg/see-do/programme-detail/234334908/latiff-mohidin-pago-pago. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. View in Street View. We use cookies to understand how you use our site and to improve your experience. Comprehensive show at National Gallery Singapore By Vivyan Yeo, “you will never understandthe rising of the dawnbetween the buffaloes’ legscold and stuntedthe black waters in the rice fieldsreflects in the eyes of the old folksfor centuries”-   Excerpt from ‘You Will Never Understand’ by Latiff Mohidin. Latiff Mohidin’s Pago Pago series was hailed as unique and exemplary the moment it appeared in public. (76 x 63.5 cm.) Writer. Print works of Latiff Mohidin were executed during a particular period in Latiff Mohidin;s practice where he had access to the printmaking studio at the Atelier La Courrier in Paris and the Pratt Institute in New York. Karya yang berjudul 'Kampung I' itu dilukis pada tahun 1951 dan kemudian disertakan dalam pameran solo pertamanya dua tahun kemudian di Sekolah Melayu Kota Raja yang terletak di daerah Kampong Gelam dahulu. Sign up for exclusive insights into the business of art in Asia today. Latiff Mohidin (1941), born in Negeri Sembilan, Malaysia completed his primary education in Singapore. Latiff Mohidin. Karya Latiff Mohidin akan dipamerkan di Paris, beri peluang saksikan lukisan antara pelukis terpenting Asia Tenggara ilham.lmstudio@gmail.com +6012 237 7211 +6019 314 7211 - whatssap only This consisted of Western paintings, Dadaist artwork, and Khmer artefacts, the last of which inspired his visual use of horns and serrated edges in his portrayal of boats and figures in Berlin. (T.K. Karya ini dianggap istimewa kerana siri tersebut dianggap sebagai lukisan jiwa dan mata hatinya. Pago Pago is less a neatly conceived series than a snowballing of ideas and experiences of a young man moving through the world, and a project driven by an eccentric but compelling personal philosophy, as evidenced by the selection of Latiff’s writing on display. Pago Pago (1960-1969)» is an extension of the innovative project «Re-framing Modernism: Painting from Southeast Asia, Europe and Beyond», co-produced with the Centre Pompidou and presented at the National Gallery Singapore in 2016, with a crossover approach to modern creation in Europe and Southeast Asia. This applies to the selection of paraphernalia as well; the dense information in these materials educate visitors only so far as their curiosity allows. In many ways, ‘Latiff Mohidin: Pago Pago’ at National Gallery Singapore (NGS), curated by Shabbir Hussain Mustafa and Catherine David, comprehensively explores this friction through a wide array of artworks and archival material. Sabapathy ed., Pago-Pago to Gelombang - 40 years of Latiff Mohidin, Singapore Art Museum, Singapore, 1994, p. 26). “It was not a Eureka moment,” says Mustafa, “but a gradual process.” When seen together, the presentation of newspaper clippings, artist’s sketches and writings help visitors comprehend how living in Berlin exposed Mohidin to a broad range of new material. The late art laureate was the first Malaysian to be honoured with a solo exhibition at a major European gallery. ABDUL LATIFF MOHIDIN (Malaysian, B. Latiff Mohidin, ‘PROVOKE’, 1965, acrylic on board, 90 x 120 cm. Kunjungannya ke Thailand dan Laos, tegasnya Indo-China, bagi saya adalah tuah mencurah-curah. Latiff Mohidin, Pago Pago, is on view at National Gallery Singapore until 27 September 2020. “This exhibition will explore all sorts of … The middle and the late 60s were the times when Latiff was developing his first series of thematic works namely the Pago-Pago series. He is generally known for his Pago Pago expressionist paintings produced between 1963 and 1969. But the word ‘local’ is insufficient here because Latiff travelled so much.” With this in mind, the NGS survey paints Mohidin in a new light by elaborating on a nuanced set of sources from which the Pago-Pago image was derived. Posted 16th … Image Courtesy of National Gallery Singapore. Karya yang berjudul 'Kampung I' itu dilukis pada tahun 1951 dan kemudian disertakan dalam pameran solo pertamanya dua tahun kemudian di Sekolah Melayu Kota Raja yang terletak di daerah Kampong Gelam dahulu. National Gallery Singapore Singapore. Like many artists from the region, Latiff Mohidin created a series that was moulded through his complex interactions with a multiplicity of cultures. KUALA LUMPUR: It is often a challenge to put a value to art, but artists such as Abdul Latiff Mohidin have proven that Malaysian artworks are able to fetch high prices. 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